| © Slash Coleman 2008 |
So on May 3rd, in the darkened parlor of Richmond’s Studio X, Modern Burlesque Brigade promises to give you a good “Sex
Education.” This one has cooler music than the one your softball coach taught, however. In fact, Miniver Cheevy Jazz Trio
bears no resemblance whatsoever to gym class film strips.
Spring has burst winter’s seams, bringing colorful buds and blooms. Emerging flowers play host to birds and bees, as our
hormones frolic like pent-up freshmen released on spring break. In this heady mélange, your thoughts might turn to romance.
They may even design a bawdy fantasy or two.
So on May 3rd, in the darkened parlor of Richmond’s Studio X, Modern Burlesque Brigade promises to give you a good “Sex
Education.” This one has cooler music than the one your softball coach taught, however. In fact, Miniver Cheevy Jazz Trio
bears no resemblance whatsoever to gym class film strips.
Featuring the talents of Director/Choreographer Becca Bernard, Fire and Stunt Designer Larry Volz, plus the seductive skills of a
revolving cast of dancers, “Sex Education” is the latest creation of Comedian/Playwright Slash Coleman. The “Condom Broke
Dance” and other provocative scenarios are experiences many adults have experienced, survived, and lived to rehash with their
therapists.
“It’s a satire about the outdated and conservative views on intimacy, relationships, and sex in our society,” Coleman summarizes.
Combining traditional vaudeville comedy, burlesque dance, and clown arts, “Sex Education” addresses the heart-palpitating
and nervous encounters that delight and wrack anyone who labors in love and lust. While Coleman frankly admits that political
statements delivered as artistic expression often bore him, “Sex Education” delivers a bit of political bite with its kiss of whimsy.
In addition to traditional burlesque, the show features a drag king performer, a reverse strip tease, and a dancer heavily decked
out in 1800s garb who disrobes and disrobes, and – at press time, she still may be disrobing. “Sex Education” is a show designed
to stir laughter, provoke thought, and inspire comfortable personal confrontation. “Burlesque as opposed to other kinds of
personal sex education, or even TV, which is non-intimate, helps people come into a venue and confront some of their sexual
issues. It’s an emotional interaction that’s happening in the moment,” Coleman says.
Audiences already know Coleman for “Slash Coleman Has Big Matzo Balls,” “Bohemian Love Diaries,” and more. But he’s most
widely associated with his one-man show, “The Neon Man and Me,” which was recently filmed at local PBS studios for regional
airing and with luck, national distribution. He honed the show over years, as he traveled solo to perform it in schools, churches,
and theatres nationwide. After a grueling but successful run through major and moderate-sized cities, Coleman acknowledges
half jokingly, “Burlesque was my attempt to not be lonely.” In 2007, he formed Modern Burlesque Brigade with Bernard and
Volz. Their first show, “Ballad of the Beautiful Sex Monster” debuted at Petersburg’s Sycamore Rouge Theater last New Year’s
Eve.
While Coleman hasn’t made any wily negotiations on the proverbial director’s couch – none that he admits - he finds that
burlesque allows him to collaborate with other artists.
By using widely-known jazz standards and relying on a few core performers, he is able to use a changing cast for other roles and
support, allowing production flexibility and providing jobs for working artists. Creating opportunities for artists and educating
them to cultivate their own are key goals for Coleman, who emphasizes, “Andy Warhol said, ‘After making art comes the business
of art.’ When I think about abundance and prosperity, I think it’s the exact same energy that’s tied into creativity, money, and sex.
I feel like if there’s an imbalance in one, there’s often an imbalance of another one. I think what I’m looking for as an artist is to
help inspire others is to find that balance. You can be creative and have money. I think most artists with money do really good
things with it. The more people I can bring onboard with my projects, the less people have to have day jobs.” It’s an innovative
structure that maximizes opportunity for others and outlets for Coleman’s feverish creativity.
Bombshells, wry humor, silly vixens, bawdy music, gender bending, and luscious laughs. It may be the sex education of your
dreams, and it’s all yours.
Education.” This one has cooler music than the one your softball coach taught, however. In fact, Miniver Cheevy Jazz Trio
bears no resemblance whatsoever to gym class film strips.
Spring has burst winter’s seams, bringing colorful buds and blooms. Emerging flowers play host to birds and bees, as our
hormones frolic like pent-up freshmen released on spring break. In this heady mélange, your thoughts might turn to romance.
They may even design a bawdy fantasy or two.
So on May 3rd, in the darkened parlor of Richmond’s Studio X, Modern Burlesque Brigade promises to give you a good “Sex
Education.” This one has cooler music than the one your softball coach taught, however. In fact, Miniver Cheevy Jazz Trio
bears no resemblance whatsoever to gym class film strips.
Featuring the talents of Director/Choreographer Becca Bernard, Fire and Stunt Designer Larry Volz, plus the seductive skills of a
revolving cast of dancers, “Sex Education” is the latest creation of Comedian/Playwright Slash Coleman. The “Condom Broke
Dance” and other provocative scenarios are experiences many adults have experienced, survived, and lived to rehash with their
therapists.
“It’s a satire about the outdated and conservative views on intimacy, relationships, and sex in our society,” Coleman summarizes.
Combining traditional vaudeville comedy, burlesque dance, and clown arts, “Sex Education” addresses the heart-palpitating
and nervous encounters that delight and wrack anyone who labors in love and lust. While Coleman frankly admits that political
statements delivered as artistic expression often bore him, “Sex Education” delivers a bit of political bite with its kiss of whimsy.
In addition to traditional burlesque, the show features a drag king performer, a reverse strip tease, and a dancer heavily decked
out in 1800s garb who disrobes and disrobes, and – at press time, she still may be disrobing. “Sex Education” is a show designed
to stir laughter, provoke thought, and inspire comfortable personal confrontation. “Burlesque as opposed to other kinds of
personal sex education, or even TV, which is non-intimate, helps people come into a venue and confront some of their sexual
issues. It’s an emotional interaction that’s happening in the moment,” Coleman says.
Audiences already know Coleman for “Slash Coleman Has Big Matzo Balls,” “Bohemian Love Diaries,” and more. But he’s most
widely associated with his one-man show, “The Neon Man and Me,” which was recently filmed at local PBS studios for regional
airing and with luck, national distribution. He honed the show over years, as he traveled solo to perform it in schools, churches,
and theatres nationwide. After a grueling but successful run through major and moderate-sized cities, Coleman acknowledges
half jokingly, “Burlesque was my attempt to not be lonely.” In 2007, he formed Modern Burlesque Brigade with Bernard and
Volz. Their first show, “Ballad of the Beautiful Sex Monster” debuted at Petersburg’s Sycamore Rouge Theater last New Year’s
Eve.
While Coleman hasn’t made any wily negotiations on the proverbial director’s couch – none that he admits - he finds that
burlesque allows him to collaborate with other artists.
By using widely-known jazz standards and relying on a few core performers, he is able to use a changing cast for other roles and
support, allowing production flexibility and providing jobs for working artists. Creating opportunities for artists and educating
them to cultivate their own are key goals for Coleman, who emphasizes, “Andy Warhol said, ‘After making art comes the business
of art.’ When I think about abundance and prosperity, I think it’s the exact same energy that’s tied into creativity, money, and sex.
I feel like if there’s an imbalance in one, there’s often an imbalance of another one. I think what I’m looking for as an artist is to
help inspire others is to find that balance. You can be creative and have money. I think most artists with money do really good
things with it. The more people I can bring onboard with my projects, the less people have to have day jobs.” It’s an innovative
structure that maximizes opportunity for others and outlets for Coleman’s feverish creativity.
Bombshells, wry humor, silly vixens, bawdy music, gender bending, and luscious laughs. It may be the sex education of your
dreams, and it’s all yours.
When It Comes to Sex Education, It Takes a Brigade
Brick Weekly
by Cesca Janece Waterfield
May 01, 2008
Spring has burst winter’s seams, bringing colorful buds and blooms.
Emerging flowers play host to birds and bees, as our hormones frolic like
pent-up freshmen released on spring break. In this heady mélange, your
thoughts might turn to romance. They may even design a bawdy fantasy
or two.
Brick Weekly
by Cesca Janece Waterfield
May 01, 2008
Spring has burst winter’s seams, bringing colorful buds and blooms.
Emerging flowers play host to birds and bees, as our hormones frolic like
pent-up freshmen released on spring break. In this heady mélange, your
thoughts might turn to romance. They may even design a bawdy fantasy
or two.
